{"id":1469,"date":"2011-02-27T01:07:04","date_gmt":"2011-02-26T23:07:04","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=1469"},"modified":"2025-05-09T11:24:55","modified_gmt":"2025-05-09T09:24:55","slug":"nm-ext-ex","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=1469","title":{"rendered":"nyan 13"},"content":{"rendered":"

14. Mai 2011<\/strong> Samstag – 20 h<\/p>\n

mex<\/strong>
\nim K\u00fcnstlerhaus Dortmund
\nEintritt 6 \u20ac<\/p><\/blockquote>\n

RICHARD LERMAN
\nSHACKLE
\nJORGE HARO<\/p>\n

\"Jorge<\/h5>\n

\u2013\u2013\u2013-<\/pre>\n
 RICHARD LERMAN<\/a><\/strong> [USA] Video, Zwiebeln, Strohhalme, Fahrrad & Elektronik<\/p>\n
SHACKLE<\/strong><\/a>
\n\/\/ Anne La Berge [B] Fl\u00f6ten, Elektronik
\n\/\/ Robert van Heumen [B] Laptop, Controller, Joystick<\/p>\n
JORGE HARO<\/a> <\/strong>[ARG] Laptop, Echtzeit-Elektronik, Video<\/p>\n
\u2013\u2013\u2013-<\/pre>\n
Jede Fahrradspeiche plingt anders. Knicktrinkhalme erzeugen schimmernde Melodiefelder; Reisepass und Dornenzweig dienen dem unter- und obertonreichem Geigenbogenspiel:  Richard Lerman<\/strong> durchwandert seit 1961 mit hoher, auch politscher und visueller Aufmerksamkeit W\u00fcsten und Klangwelten. Er gewinnt dabei Schritten, Pflanzen und Dingen die erstaunlichsten Klangfacetten ab \u2013  indem er T\u00f6ne unterhalb der H\u00f6rschwelle technisch verst\u00e4rkt, oder fl\u00fcchtig bekannten Ger\u00e4uschen durch Entschleunigung zu Sch\u00f6nheit und Charakter verhilft.<\/p>\n
Modern free noise performance plus video: Jorge Haro<\/strong>s Faszination f\u00fcr Klang und Vibration kulminiert live in elektronischen Clustern, die druckvoll aus den Boxen wummern. Die ausgiebigen Drones werden spielerisch durch hocht\u00f6nige Signale durchschnitten, was sich synchron im dazu generierten Video zeigt. Klangdaten werden zu futuristisch motivierten und modifizierten Sterndiagramme umgewandelt, Testbilder und Amplitudenkurven animiert und von wechselhaft flimmernden Parameterziffern garniert. Welcome inside the machine!<\/p>\n
Apropos: Shackle<\/strong> l\u00e4sst seine Auftritte von einer Software dirigieren, die sowohl f\u00fcr frappierende Parameterwechsel als auch lange Klangwandteppiche sorgt. Mal f\u00fcgen sich die Fl\u00f6tistin und der Laptopist ihrem Dirigenten, mal lehnen sie die Vorschl\u00e4ge bez\u00fcglich Timing, Dynamik oder Textur ab \u2013 so dass kontrollierte Formen mit grenzenloser Impro verkettet werden. La Berge artikuliert die Timbres und Luftbrechungen verschiedenster Fl\u00f6ten. Van Heumens introvertiertes Live Processing sorgt mit Sample-Scratching, Verzerrung und harten Kanten f\u00fcr gemeinsam mikrotonales Summen, Pluckern und Vergn\u00fcgen.<\/p>\n
\u2013\u2013\u2013-<\/pre>\n
\"Shackle<\/p>\n
\u2013\u2013\u2013-<\/pre>\n
RICHARD LERMAN<\/a><\/strong> [USA]  video, onions, straws, bicycle and electronics <\/em><\/p>\n
JORGE HARO<\/a> <\/strong>[ARG]  laptop, live electronics, video <\/em><\/p>\n
SHACKLE<\/strong><\/a>
\n\/\/ Anne La Berge [B]  flutes, electronics
\n\/\/ Robert van Heumen [B]  laptop, controller, joystick<\/em><\/p>\n
\u2013\u2013\u2013-<\/em><\/pre>\n
 <\/em><\/p>\n
Each bicycle spoke sounds different. Straws produce resplendent melodic fields; passport and thorny branches display rich harmonics when coaxed with the violin bow:  since 1961 Richard Lerman<\/strong> has been perambulating through deserts and sound worlds with keen attention  as well as deep political awareness. In the process he has acquired from steps, plants and objects the most amazing of sound signatures by technically amplifying sounds that lay underneath the auditory threshold or by restoring cursory well-known noises through deceleration to reveal beauty and character. <\/em><\/p>\n
Modern free noise performance plus video: Jorge Haro<\/strong>\u2019s fascination for sound and vibration culminates in live electronic clusters, whose high pressure humming pours from the speakers. The amples drones are cut in a playful way with high range signals, which is shown in the synchronously generated video. Sound data is transformed into futuristically motivated and modified star diagrams, test patterns and amplitude curves are animated and garnished with mutating,  flickering parameter numbers. Welcome inside the machine! <\/em><\/p>\n
Apropos: Shackle<\/strong> conduct their performance using software, which provides both striking parameter changes as well as broad sound tapestries. At times the flutist and the laptopist go along with their conductor, at times they refuse the suggestions concerning timing, dynamics or texture \u2013 so that controlled forms and boundless improv are concatenated. La Berge articulates the timbres and air refractions of the most diverse of flutes. Van Heumen\u2019s introverted live processing, with sample-scratching, distortion and hard edges, provides micro-tonal humming, bubbling and, finally, simply pleasure. <\/em><\/p>\n
\u2013\u2013\u2013-<\/em><\/pre>\n
\"Richard<\/p>\n
\u2013\u2013\u2013-\u2013\u2013\u2013-<\/em><\/p>\n
Veranstaltet von mex \u2013 intermediale und experimentelle   Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund sowie Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund.  mex wird kuratiert von Maija Julius<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
RICHARD LERMAN
\nSHACKLE
\nJORGE HARO<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[622,620,25,334,4,621],"tags":[752,633,751,754,753,708,750,641,749],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1469"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1469"}],"version-history":[{"count":54,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1469\/revisions"}],"predecessor-version":[{"id":6023,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1469\/revisions\/6023"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1469"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}