{"id":1504,"date":"2011-11-02T16:07:37","date_gmt":"2011-11-02T14:07:37","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=1504"},"modified":"2025-05-09T11:19:51","modified_gmt":"2025-05-09T09:19:51","slug":"next-mex-termine","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=1504","title":{"rendered":"nyan 15"},"content":{"rendered":"

5. November 2011 <\/strong>Samstag – 20 h
\nmex<\/strong> im K\u00fcnstlerhaus Dortmund
\nEintritt 6 Euro<\/p><\/blockquote>\n

ANDREA PARKINS
\nANTEZ
\nALESSANDRO BOSETTI<\/p>\n

\"Andrea<\/h5>\n

<\/p>\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/pre>\n
ANDREA PARKINS<\/a> [USA]
\nAkkordeon, Toys & Elektronik<\/em><\/p>\n
ALESSANDRO BOSETTI<\/a> [I]
\nStimme & Elektronik<\/em><\/p>\n
ANTEZ <\/a>[F]
\nBasstrommel, Zimbel & Alurohr<\/em><\/p>\n
\u2014\u2014\u2014<\/pre>\n
Strom an f\u00fcr nyan! Die 15 hat es wieder in sich \u2013 zum Beispiel gutturale Effekte und durchschlagende Zungen. Durch die Kan\u00e4le ihres Akkordeons n\u00e4mlich zieht und schiebt Andrea Parkins <\/strong>zerbrechlich dicke und d\u00fcnne Luft, stockend und str\u00f6mend, elektronisch modifiziert. Feedbacks, Melodica und Gl\u00f6ckchen, diverse Toys und Dinge tragen zu einem komplex fragilen Klanggeflecht bei, dessen Poesie in Atem h\u00e4lt, obwohl und weil es Vibrationsalarm und andere Ger\u00e4uschemissionen des Alltags kunstvoll integriert. Fluxus lebt!<\/p>\n
Die Stimme f\u00fcr eine relationale \u00c4sthetik erhebt auch Alessandro Bosetti<\/strong>. Da seine Ars Acustica von fremden Sprachen und au\u00dfergew\u00f6hnlich artikulierenden Menschen beeinflusst ist, kultiviert er eine dezidiert untrainierte Erz\u00e4hlerstimme. Eine prek\u00e4r programmierte Sprechmaschine koproduziert knorrig verschlungene Loops verbaler \u00c4u\u00dferung, Deren Sinn ist so zentral und klar zu vernehmen, dass man ebenso dem konkreten Klang lauscht, einem elektronisch gest\u00fctzten, labyrinthischen Mantra.<\/p>\n
In der Mitte von Antez<\/strong>\u2019 Gro\u00dftrommel hingegen ist eine Drehachse verborgen, die den anti-perkussiven Perkussionisten stets auf Kurs h\u00e4lt. Sein Weg zeichnet sich durch kontinuierlich kreisendes Ziehen und Schieben harter und schwerer Dinge auf dem gespannt vibrierenden Fell ab. Unter der Dauerbereibung mit Alurohr und Zimbel \u00e4chzt und jubelt das D\u00fcnnleder in den tiefsten und h\u00f6chsten Tonlagen. Es wummert und fiept infra-, ultra- und extraordin\u00e4r, stark und k\u00f6rperhaft \u2013 absolute unplugged.<\/p>\n
\"ANTEZ<\/p>\n
ANDREA PARKINS  [USA] accordion, toys & electronic<\/em><\/p>\n
ALESSANDRO BOSETTI [I] voice & electronic<\/em><\/p>\n
 <\/em><\/p>\n
<\/em><\/p>\n
ANTEZ  [F] rubbed percussion, cymbals & aluminum pipe <\/em><\/p>\n
Power button on for nyan! Number 15 is charged \u2013 for example with guttural effects and penetrating tongues. Through the channels of her accordion ANDREA PARKINS pulls and pushes fragile thick and thin air, halting and flowing, electronically modified. Feedback, melodica and bells, and various toys and objects contribute to a complex and delicate sound network, whose poetry makes one hold one\u2019s breath, as it artfully integrates vibration alarm and other noise emissions of everyday life. Fluxus is alive!<\/em><\/p>\n
ALESSANDRO BOSETTI also raises his voice for a relational aesthetic. Since his ars acustica is influenced by foreign languages and unusually articulating humans, he cultivates a decidedly un-trained storyteller voice. A precarious programmed speech machine co-produces gnarled, devoured loops of verbal expression, whose sense is so centrally and clearly heard that one listens likewise to the concrete sound, an electronically-supported, mazy mantra.<\/em><\/p>\n
 <\/em><\/p>\n
<\/em><\/p>\n
By contrast in the center of ANTEZ‘ large drum there is a hidden axis of rotation, which holds the anti-percussive percussionist on course. His approach is characterized by a continuously circling pulling and pushing of hard and heavy devices on the strained, vibrating skin. Under the permanent friction with aluminium pipe and cymbal the thin leather resounds in the deepest and highest of pitches. It booms and chirps infra-, ultra- and extraordinarily, strongly and bodily – absolutely unplugged.<\/em><\/p>\n
\"Alessandro<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014<\/pre>\n
Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund sowie Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Maija Julius.<\/em><\/p><\/blockquote>\n
<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"
ANDREA PARKINS
\nANTEZ
\nALESSANDRO BOSETTI<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[627,628,4,630],"tags":[634,638,636,633,709,712,640,635,639,637],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1504"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1504"}],"version-history":[{"count":99,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1504\/revisions"}],"predecessor-version":[{"id":6019,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1504\/revisions\/6019"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}