{"id":1550,"date":"2011-09-21T18:46:33","date_gmt":"2011-09-21T16:46:33","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=1550"},"modified":"2025-05-09T11:23:32","modified_gmt":"2025-05-09T09:23:32","slug":"nyan-14","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=1550","title":{"rendered":"nyan 14"},"content":{"rendered":"<blockquote><p><strong>8. Oktober 2011<\/strong> Samstag &#8211; 20 h<br \/>\nmex im K\u00fcnstlerhaus Dortmund<\/p><\/blockquote>\n<h5>OXIDE<br \/>\nHITOSHI KOJO<br \/>\nANTOINE CHESSEX<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-2133\" title=\"OXIDE \/\/ Tammen \/ Irmer\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/oxidedoppel56444.jpg\" alt=\"OXIDE \/\/ Tammen \/ Irmer\" width=\"412\" height=\"137\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/oxidedoppel56444.jpg 412w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/oxidedoppel56444-300x99.jpg 300w\" sizes=\"(max-width: 412px) 100vw, 412px\" \/><\/h5>\n<p><!--more--><\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><a href=\"http:\/\/tammen.org\/oxide\/\" target=\"_blank\" rel=\"noopener\">OXIDE<\/a><br \/>\n\/\/ Christoph Irmer [D] violin<br \/>\n\/\/ Hans Tammen [USA] tabletop guitar &amp; electronics<a rel=\"attachment wp-att-1588\" href=\"http:\/\/www.mexappeal.de\/?attachment_id=1588\"><br \/>\n<\/a><\/p>\n<p><a href=\"http:\/\/www.omnimemento.com\/kojo\" target=\"_blank\" rel=\"noopener\">HITOSHI KOJO<\/a> [J]<br \/>\nhandmade instrument, found object, tuning fork, voice, field recording<\/p>\n<p><a href=\"http:\/\/www.soundimplant.com\/achessex\" target=\"_blank\" rel=\"noopener\">ANTOINE CHESSEX<\/a> [CH]<br \/>\nsaxophone &amp; backtape<\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p>Alles bereits mal durchgespielt hat Hans Tammen: Hardrock, Swing und Free Jazz hinter sich lassend, liegt nun eine Tischtop-Gitarre vor ihm, Gitarre und Interface zugleich. Er&nbsp; nutzt die darangekabelten M\u00f6glichkeiten von MAX, um zusammen mit Christoph Irmers Streichsaiten aberwitzige und latent explosive Impro-Cocktails zu mixen. F\u00fcr <em><strong>Oxide<\/strong><\/em> nehmen sie ein bizarres Glas, 6 s Gitarre, 4 s Geige, f\u00fcllen es randvoll mit klangfarbener Mikropolyphonie, r\u00fchren mit Metal rum und garnieren den lauten, leise durchtriebenen Strudel mit einer Scheibe Soundscape \u2013 klirrendes Eis ad Libido.<\/p>\n<p>Warme Klangschalenkl\u00e4nge und das Summen leicht bekreideter Kehlk\u00f6pfe hingegen l\u00e4sst <strong>Hitoshi Kojo<\/strong> in seine Aufnahmeger\u00e4te gleiten. Sonore Kl\u00e4nge von Viola, Orgel oder Glocke und aparte Dissonanzen von Metallgegenst\u00e4nden verdichtet er sampelnd zu hypnotisch komplexen Drones. Obertonreiche Sound-Emulsionen durchziehen osmotisch die Membranen des Trommelfells; antennengleich empf\u00e4ngt das Geh\u00f6r die Erinnerungen der Dinge und der R\u00e4ume \u2013 das was akustisch und animistisch so in der Luft liegt.<\/p>\n<p><strong>Antoine Chessex <\/strong>wiederum vertraut auf das Eintauchtalent des  Publikums in diejenigen Klangwolken, die er, real physisch und  verst\u00e4rkt, saxophon in die Architektur bl\u00e4st. Seine Soloarbeit erzeugt  dichte Windschichten anhaltend ausdauernder oder auch fortw\u00e4hrend  langgezogener Kl\u00e4nge, die auf einmal \u00fcberraschende Wendungen nehmen.  Dann reiben sich die in Echtzeit akustisch gespielten Texturen wieder an  ihren klanglichen Schatten auf Band, und kulminieren in wechselnden  Ecken des Raumes zu erstaunlichen Clustern. Lassen wir uns von den 53  Ecken und Kanten des mexKellers \u00fcberraschen&#8230;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-2136\" title=\"Antoine Chessex\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/antoine_chessex.jpg\" alt=\"Antoine Chessex\" width=\"219\" height=\"328\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/antoine_chessex.jpg 219w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/antoine_chessex-200x300.jpg 200w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><strong> <\/strong><\/p>\n<p><em><strong>Tammen<\/strong> has played everything through, he has left hard rock, swing and  free jazz behind. In front of him now there is a tabletop guitar, which  is an interface as well. He uses the cable-connected possibilities of  MAX, in order to mix latently explosive impro cocktails together with  Irmer\u2019s bowed strings. For Oxide they take a bizarre glass, 6 s guitar, 4  s violine, fill it up to the edge with soundcolourful micropolyphony,  stir it with some metal, and garnish the loud, but slightly sleeky  Strudel with a slice of soundscape &#8211; clanking ice ad libido.<br \/>\n<\/em><em><br \/>\nWarm  sounds of singing bowls and the humming of slightlyt chalked voice  boxes: that is what <strong>Kojo <\/strong>lets slide in his recorders. In order to  produce complex and hypnotic drones, he intensifies the sonorous sounds  of viola, organ or bell, as well as distinctive dissonances by sampling  them. Sound emulsions, rich of overtones, infuse the membranes of the  ear-drum osmotically. Like an antenna, the hearing receives the memories  of things and spaces: that what is acoustically and animistically in  the air.<\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em>And yet <strong>Chessex<\/strong> trusts in the talent of the spectators to  dive into the sound clouds, which he blows into the architecture by sax.  His solo work produces dense layers of wind, lasting and perseverative  sounds, which suddeny may take unexpected turns. Then the acoustic  textures, played in realtime, interact with their sound shadows on tape,  and they culminate in astonishing clusters, alternating between the  space corners. Let us get surprised by the 53 rough edges of the mex  basement..<\/em>.<\/p>\n<pre><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-2132\" title=\"Hitoshi Kojo \u00a9\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2011\/09\/kojowald56444.jpg\" alt=\"Hitoshi Kojo \u00a9\" width=\"219\" height=\"256\"\/><\/pre>\n<p>\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n<blockquote><p>Eintritt 6 Euro. Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund sowie Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Maija Julius.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>OXIDE<br \/>\nHITOSHI KOJO<br \/>\nANTOINE CHESSEX<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[626,624,631,4,625,8],"tags":[742,694,734,633,642,740,738,710,705,741,739,641,722],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1550"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1550"}],"version-history":[{"count":157,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1550\/revisions"}],"predecessor-version":[{"id":6021,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/1550\/revisions\/6021"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1550"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1550"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1550"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}