{"id":24,"date":"2007-11-30T15:03:17","date_gmt":"2007-11-30T13:03:17","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=24"},"modified":"2025-05-09T11:33:02","modified_gmt":"2025-05-09T09:33:02","slug":"open-systemsprevision","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=24","title":{"rendered":"open systems \/\/ PreVision"},"content":{"rendered":"<blockquote><p><strong>30. November 2007<\/strong> Freitag &#8211; 20 h<br \/>\nmex im K\u00fcnstlerhaus Dortmund<\/p><\/blockquote>\n<h5>ANTOINE BEUGER<br \/>\nVERY SLOW DISCO SUIT<br \/>\nRALF SCHREIBER \/ TINA TONAGEL \/ CHRISTIAN FAUBEL<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-2299\" title=\"Schreiber \/ Faubel \/ Tonagel @ mex \u00a9\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2007\/11\/02_schreiberfaubeltonagelne.jpg\" alt=\"Schreiber \/ Faubel \/ Tonagel @ mex \u00a9\" width=\"274\" height=\"206\"\/><\/h5>\n<p><!--more--><\/p>\n<pre>\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/pre>\n<p><strong>Antoine Beuger<\/strong> [D\u00fcsseldorf]<br \/>\n<em>Pfeifen<\/em><\/p>\n<p><strong>Very Slow Disco Suit<\/strong> [Br\u00fcssel]<br \/>\nGUY DE BI\u00c9VRE<br \/>\nANNE LA BERGE<br \/>\nXAVIER VERHELST<br \/>\n<em>Hawaii-Gitarre, Fl\u00f6te, Bass und Microcontroller<\/em><br \/>\n<strong><br \/>\nRALF SCHREIBER, TINA TONAGEL<\/strong> und<br \/>\n<strong>CHRISTIAN FAUBEL<\/strong> [K\u00f6ln]<br \/>\n<em>Elektronik<\/em><\/p>\n<pre><em>\u2014\u2014\u2014\n<\/em><\/pre>\n<p>Open systems hei\u00dft 2007 PreVisions, denn das Festival zwischen Essen und Dortmund freut sich bereits auf die n\u00e4chsten Jahrzehnte. Auf g\u00e4nzlich unspektakul\u00e4re Weise huldigt der Niederl\u00e4nder Beuger der Ziffer 10. Dies ist die Zahl an Viertaktern, die er seit geraumer Zeit t\u00e4glich komponiert. Diese Dingelchen aus der Serie \u201eauch da\u201c f\u00fchren mit ihren langen Pausen und fast unh\u00f6rbaren Passagen die Zuh\u00f6rer an die Grenze der Erinnerbarkeit. Treffend hei\u00dft es bei <strong>Beuger<\/strong> frei nach Hamlet, \u201eNoch-Nicht-Sein oder Gerade-Noch-Sein, das ist hier die Frage.\u201c<\/p>\n<p>Ungewiss ist ebenfalls, ob jemand im Publikum bei der <em><strong>Very Slow Disco Suit<\/strong><\/em> des belgischen Trios de Bi\u00e8vre, La Berge und Verhelst irgendeines der auf 20 BPM heruntergebremsten Discost\u00fccke wiedererkennt. Fl\u00f6te, Bass und Hawaii-Gitarre \u201etanzen\u201c nach der Pfeife des 4. Ensemblemitglieds, einem Microcontroller, der auf sch\u00fcchterne, verbohrte oder auch exzellente Art live berechnet, wer wann was wie zu der harmonisch-melodischen, erstaunlich ruhigen Eigenart der Musik beizutragen hat.<\/p>\n<p>Der \u201eDancefloor\u201c der solarbetriebenen Miniroboter von <strong>Schreiber<\/strong>, <strong>Tonagel<\/strong> und <strong>Faubel<\/strong> hingegen besteht aus einem Overhead-Projektor. Somit sind beim 3. Gig dieses an Eleganz der Reduktion reichen Abends malerische Illuminationen ebenso vorprogrammiert wie musikalisches Elektronik-Gezirpe, -Klacken, -Surren und \u2013Fiepen. Das ist poetisch und konzeptionell zugleich, sind doch die Projektionen ungefilterte Echtzeit-Impressionen der Klangerzeugung und deren Manipulation.<\/p>\n<pre><em><\/em><em>\u2014\u2014\u2014<\/em><\/pre>\n<p><img decoding=\"async\" title=\"071130_fauber\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2008\/07\/0711_antoinebeuger.jpg\" alt=\"071130_fauber\" width=\"180\"\/><br \/>\nAntoine Beuger \/\/\/<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2008\/07\/0711_faube.jpg\" alt=\"071130_fauber02\"\/><br \/>\nChristian Faubel \/\/\/<\/p>\n<pre><em><\/em><em>\u2014\u2014\u2014<\/em><\/pre>\n<p><em><\/em><em><strong>Antoine Beuger<\/strong> (Duesseldorf)<br \/>\nwhistle<\/em><\/p>\n<p><em><\/em><em><strong>Guy de Bi\u00e8vre, Anne La Berge and Xavier Verhelst <\/strong>(Brussels)<br \/>\nlap steel guitar, flute, bass and microcontroller<\/em><\/p>\n<p><em><\/em><em><br \/>\n<\/em><em><\/em><em><\/em><\/p>\n<p><em><\/em><em><strong>Ralf Schreiber, Tina Tonagel and Christian Faubel<\/strong> (Cologne)<br \/>\nelectronics<br \/>\n<\/em><\/p>\n<p><em><\/em><em>In 2007 open systems is called PreVisions, because this festival between Essen and Dortmund looks forward to the next decades. The Dutchman Beuger renders homage to the number 10 in a completely unspectacular way. On a daily basis he is currently composing 10 4\/4times. These \u201cDingelchen\/things\u201d from the series \u201cauch da\/also there\u201d leads the listeners through its long pauses and barely inaudible passages to the border of remembrance. Accurately it is said with <strong>Beuger<\/strong> \u2013 freely adapted by Hamlet: \u201cNot-Yet-To-Be or Just-To-Be, that is the question.\u201d Likewise it is uncertain whether someone of the public recognizes during the \u201eVery Slow Disco Suit\u201c of the Belgian trio de <strong>Bi\u00e8vre, La Berge and Verhelst <\/strong>any of the underlying disco pieces, which are slowed down to 20 BPM. Flute, bass and lap steel guitar do the 4th ensemble member biddings, a microcontroller, who calculates live in shy, drilled or excellent ways who contributes when what and how to the harmonious-melodic, amazingly calm characteristics of the music. The \u201cdancefloor\u201d of the solar-operated mini- robots by <strong>Schreiber, Tonagel and Faubel <\/strong>however consists of an overhead projector. Consequently pictorial illuminations are likewise preprogrammed as musical electronic buzzing, clicking, and cheeping. This evening could be titled \u201cthe beauty of reduction\u201d.<\/em><\/p>\n<p><img decoding=\"async\" title=\"071130_trio\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2008\/07\/0711_guy_disco_trio.jpg\" alt=\"071130_trio\" width=\"350\"\/><br \/>\nXavier Verhelst \/\/\/ Anne La Berge \/\/\/ Guy de Bi\u00e8vre \/\/\/<\/p>\n<p><em><\/em><em>\u2014\u2014\u2014<\/em><em><\/em><em>\u2014\u2014\u2014<\/em><\/p>\n<blockquote><p>Im Rahmen von PreVision \/ open systems 2007 in Dortmund, Essen und Herne.<br \/>\n<a href=\"http:\/\/www.emscher-reloaded.eu\" target=\"blank\" rel=\"noopener\">www.emscher-reloaded.eu<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>ANTOINE BEUGER<br \/>\nVERY SLOW DISCO SUIT<br \/>\nRALF SCHREIBER \/ TINA TONAGEL \/ CHRISTIAN FAUBEL<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[30,24,28,25,5,26,27,29],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/24"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24"}],"version-history":[{"count":21,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/24\/revisions"}],"predecessor-version":[{"id":6037,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/24\/revisions\/6037"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}