{"id":4417,"date":"2014-01-24T00:25:28","date_gmt":"2014-01-23T22:25:28","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=4417"},"modified":"2025-05-09T11:10:55","modified_gmt":"2025-05-09T09:10:55","slug":"nyan-1","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=4417","title":{"rendered":"nyan 19"},"content":{"rendered":"<blockquote><p><strong>14. M\u00e4rz<\/strong><strong> 2014<\/strong> Freitag  &#8211; 20 h<br \/>\nmex im K\u00fcnstlerhaus<br \/>\nSunderweg 1, 44147 Dortmund<\/p>\n<p>Eintritt 6 Euro<\/p><\/blockquote>\n<h5>AKI ONDA<br \/>\nAKIO SUZUKI<br \/>\nXAVIER QU\u00c9REL \/ DAVID CHIESA \/ JEAN-PHILIPPE GROSS<\/h5>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4426\" title=\"Aki Onda \u00a9 by Sandrine Marc\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2014\/01\/akionda_sandrinemarcweb.jpg\" alt=\"Aki Onda \u00a9 by Sandrine Marc\" width=\"198\" height=\"284\"\/><br \/>\n<!--more-->AKI ONDA [J\/USA]<em><br \/>\n\/\/ cassettes, walkmen<\/em><\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>QU\u00c9REL \/ CHIESA \/ GROSS [F]<em><br \/>\nelectro &#8211; acoustic &#8211; cinema trio<br \/>\n<\/em><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-4429\" title=\"facette_ecran\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2014\/01\/facette_ecranweb-300x161.jpg\" alt=\"facette_ecran\" width=\"300\" height=\"161\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2014\/01\/facette_ecranweb-300x161.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2014\/01\/facette_ecranweb.jpg 333w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n\/\/ XAVIER QU\u00c9REL \/\/ <em>projector 16mm<\/em><br \/>\n\/\/ DAVID CHIESA&nbsp; \/\/ <em>double bass<\/em><br \/>\n\/\/ JEAN-PHILIPPE GROSS&nbsp; \/\/ <em>electro &#8211; acoustic devices<\/em><\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p><em><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-4428\" title=\"Akio Suzuki \u00a9 by Atsush Koyama\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2014\/01\/akiosuzuki_atsushkoyamaweb.jpg\" alt=\"Akio Suzuki \u00a9 by Atsush Koyama\" width=\"194\" height=\"291\"\/><br \/>\n<\/em>AKIO SUZUKI [J]<br \/>\n<em>\/\/ selfmade-instruments<\/em><\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p>MOTORBRUMM und BANDRAUSCH,&nbsp; wenn Antriebsriemen locker: QUIETSCH! Wenn Stopp: KLICK &#8211;&nbsp; Aufnahmen vom Walkman haben so ihre Eigenarten. <strong>Onda <\/strong>kultiviert sie alle, auch die typischen Verzerrungen. Hauptsache, die weitbereiste Klangwelt jenseits des Recorders geht nicht verloren. Die Musikst\u00fccke kombinieren Teile des 1988 begonnenen Audio-Tagebuchs so, dass sich Ph\u00e4nomene der Erinnerung verdichten. Logisch, dass der obsessive Cassettenjockey die Mucken seines wegbegleitenden Ger\u00e4tes mitmemoriert.<br \/>\n\/\/ CUT \/\/<br \/>\nBeim 16mm-Filmprojektor ist SURR und TUCKER Standard. Absichtlich \u00fcberlange Transportpausen aber konfrontieren das Ger\u00e4t aufs psychedelisch Sch\u00f6nste mit seiner T\u00fccke: hei\u00dfe Birne, BLUBBER, SCHMELZ, Loch im Film. <strong>Querel <\/strong>hantiert live im Projektionsstrahl; couragiert handgreiflich ist auch <strong>Chiesa <\/strong>am Streich- und Zupfbass. Wild, doch eingespielt, wird das Trio komplettiert vom Feedback und Brutzeln analoger Modularsynthesizer und dem Scheppern einer delikat auf dem Lautsprecher balancierenden Zimbel (<strong>Gross<\/strong>).<br \/>\n\/\/ CAT \/\/<br \/>\nEine intensive B\u00fchnenpr\u00e4senz hat <strong>Suzuki<\/strong>, wenn er St\u00f6cke, Steine und schlichte Eigenbau-Instrumente in erstaunlichen Null-Strom-Noise verwandelt. Bet\u00f6rend trommelt er, Metallfedern reibt er; sein Glasr\u00f6hrenspiel huldigt der Kohlmeise. Kl\u00e4nge moduliert er mit Wasser, oder folgt ihrer F\u00e4hrte im Raum. Sein Ruf ist legend\u00e4r, nicht zuletzt aufgrund seines Spiraldraht-Analapos, mit dem er vokale und perkussive Impulse in irreal t\u00f6nende Echoeffekte transformiert.<\/p>\n<p>Akio Suzuki (J) \u2013 self-made instruments<\/p>\n<p>Aki Onda (J \/USA) \u2013 cassettes, walkmen<\/p>\n<p>Xavier Qu\u00e9rel (F) \u201316mm projector<br \/>\nDavid Chiesa (F) \u2013 double bass<br \/>\nJean-Philippe Gross (F) \u2013 electro-acoustic devices<\/p>\n<pre>---<\/pre>\n<p><em>MOTOR HUM and TAPE HISS, and if drive belts are loose: QUIETSCH! If they stop: CLICK \u2013 Walkman recordings do have their inherent characteristics. <strong>Onda <\/strong>cultivates all of them, including their typical distortions. All the time taking special care that the far-traveled sound world beyond the recorder is not lost. Onda\u2019s music pieces combine fragments of the audio diary he started in 1988 in such a way that the phenomena of memories pile up in layers. Only natural then that the obsessive cassette-jockey memorizes the tics of his machine companions as well. CUT \/\/ <\/em><\/p>\n<p><em>With a 16mm film projector WHIR and STUTTER are standard. However, intentionally overlong transport pauses confront the machine with peril in the most psychedelically beautiful manner: hot bulb, BUBBLE, MELT, a hole in the film. <strong>Querel<\/strong> is absorbed in live action in the projection beam, Chiesa is also courageously palpable at the bow and string bass. Wildly, but well rehearsed, the trio is completed by the feedback and sizzling of analogue modular synthesizer and the rattling of a cymbal delicately balanced on top of a loudspeaker (Gross). CAT \/\/<\/em><\/p>\n<p><em><strong>Suzuki <\/strong>has an intense performing presence when he transforms sticks, stones and simple self-made instruments into an amazing zero-current-noise. He drums captivatingly, he rubs metal springs; his glass tube playing pays homage to the great titmouse. He modulates sounds with water or follows their traces into the space. His reputation is legendary, not least due to his spiral-wire Analapos, with which he transforms vocal and percussive impulses into unreal sounding echo effects.<\/em><\/p>\n<pre>\u2014\u2014\u2014\u2014\u2014\u2014<\/pre>\n<blockquote><p><em>Veranstaltet von mex \u2013 intermediale und experimentelle   Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch Pro Jazz e.V. und das Kulturb\u00fcro der Stadt   Dortmund. mex wird kuratiert von Maija Julius.<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>AKI ONDA<br \/>\nAKIO SUZUKI<br \/>\nXavier QU\u00c9REL \/ DAVID CHIESA \/ JEAN-PHILIPPE GROSS<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[794,795,4,793,399,204],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4417"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4417"}],"version-history":[{"count":25,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4417\/revisions"}],"predecessor-version":[{"id":6007,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4417\/revisions\/6007"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4417"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}