{"id":4496,"date":"2014-11-04T23:27:34","date_gmt":"2014-11-04T21:27:34","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=4496"},"modified":"2025-05-09T11:09:19","modified_gmt":"2025-05-09T09:09:19","slug":"nyan-22","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=4496","title":{"rendered":"nyan 22"},"content":{"rendered":"

21. November <\/strong>2014 Freitag <\/strong> – 20 h
\nmex im K\u00fcnstlerhaus<\/strong>
\nSunderweg 1, 44147 Dortmund<\/p>\n

Eintritt 6 Euro<\/p><\/blockquote>\n

ATSUSHI NISHIJIMA
\nFRANZISKA WINDISCH
\nMARC BEHRENS<\/h5>\n

\"Marc<\/p>\n

<\/h5>\n

MARC BEHRENS [D]<\/a>
\n\/\/ Fieldrecording, MAX, M\u00f6bel<\/p>\n

ATSUSHI NISHIJIMA [J]<\/span>
\n\/\/ Effekte, Oszillator, Kerzen<\/p>\n

FRANZISKA WINDISCH [D\/B]<\/a>
\n\/\/ Kupfer, Salz, Stimme<\/p>\n

\u2014\u2014\u2014<\/pre>\n
Noch einmal pfeift heuer der Wind des Herbstes um die Ecken des Kellers. Behrens<\/strong> pr\u00e4sentiert bei mex seine in 7 Jahren durch dick & d\u00fcnn gegangene und dabei gel\u00e4uterte Klangfamilie mit einer immersiven, elektroakustischen Performance. Sie mobilisiert auf futureske Weise Energien zwischen Performer und Klangrepertoire, zwischen anwesendem Publikum, Mobiliar und fr\u00fcheren Inkarnationen der Auff\u00fchrung, akustisch und gestisch etwas verst\u00f6rend langsam zur\u00fcck in die Zukunft Weisendes – Momente eines Science-Fiction-Traums. <\/strong><\/p>\n
Nishijima<\/strong> hingegen sp\u00fcrt im Alltag den Klang biotischer Ph\u00e4nomene auf. Die frei str\u00f6mende Konvektion einer brennenden Kerze gebiert unmittelbare Wellen, was weitere Geschehnissen nach sich zieht. Denn solch eine Klangst\u00e4tte ist ein eigenes Wesen, beeinflusst von der Umgebung, die wiederum eigenen Gesetzm\u00e4\u00dfigkeiten gem\u00e4\u00df die Flammen flackern l\u00e4sst. W\u00e4hrend Feuer als eine relativ schnelle Art der Oxidation zu verstehen ist, verl\u00e4uft die chemische Reaktion zwischen Salz und Kupfer eher schleichend. <\/strong><\/p>\n
Windisch<\/strong>s Performance gedenkt der Verwendung von Kupfer als Schallplatten-Master, indem sie das DMM-Material gezielt der Korrosion aussetzt. Nassabspielen mit Essig zersetzt die Rillen nachhaltig. Elektronen l\u00f6sen sich; und die freigesetzte Energie regt niedervoltig unser Ohr und Fantasie an \u2013 hatten wir nicht schon immer geahnt, dass Schallplatten im Grunde irgendwie Batterien sind?<\/p>\n
\u2014\u2014\u2014<\/pre>\n
\"Atsushi<\/p>\n
\u2014\u2014\u2014<\/pre>\n
Once more the winds of autumn whistle through the corners of the mex cellar. Behrens<\/strong> presents his family of sound, which he’s gone through thick and thin with these past seven years and painstakingly refined in the process, in what promises to be an immersive electro-acoustic performance. In a futuristic way it mobilizes energies between performer and sound repertoire, between the attending audience, furniture and earlier incarnations of the performance. It is acoustically and gesturally somehow a disturbingly slow pointing back into the future \u2013 to moments of a science fiction dream.<\/em><\/p>\n
Nishijima<\/strong> on the other hand seeks out the sound of biotic phenomena in everyday life. The freely flowing convection of a burning candle bears direct waves, which result in further events, as such a sound site has its own nature, affected by the environment, which again makes the flames flicker in accordance with its own principles. While fire is understood as a relatively fast way of oxidation, the chemical reaction between salt and copper creeps along slowly. <\/em><\/p>\n
 <\/em><\/p>\n
Windisch<\/strong>\u2019s performance honors the use of copper for recording masters by exposing the DMM-material specifically to corrosion. Wet-playing with vinegar permanently decomposes the grooves. Electrons dissolve; the released low-voltage energy stimulates our ears and imagination \u2013 didn\u2019t we always suspect that records are basically batteries somehow?<\/em><\/p>\n
\"Franziska<\/p>\n
\u2014\u2014\u2014\u2014\u2014\u2014<\/pre>\n
Veranstaltet von mex \u2013 intermediale und experimentelle     Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch Pro Jazz  e.V.  und das Kulturb\u00fcro der Stadt   Dortmund. mex wird kuratiert von  Maija  Julius.<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
ATSUSHI NISHIJIMA
\nFRANZISKA WINDISCH
\nMARC BEHRENS<\/p>\n","protected":false},"author":1,"featured_media":4506,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[812,814,4,813],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4496"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4496"}],"version-history":[{"count":18,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4496\/revisions"}],"predecessor-version":[{"id":6004,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4496\/revisions\/6004"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/4506"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4496"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}