{"id":4763,"date":"2015-10-03T01:46:59","date_gmt":"2015-10-02T23:46:59","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=4763"},"modified":"2025-05-09T11:05:33","modified_gmt":"2025-05-09T09:05:33","slug":"nyak-7","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=4763","title":{"rendered":"20. November 2015"},"content":{"rendered":"<p>Freitag &#8211; 20 h<br \/>\nmex im K\u00fcnstlerhaus<br \/>\nSunderweg 1, Dortmund<\/p>\n<p>Eintritt 6 Euro<\/p>\n<p>nyak 7<\/p>\n<h5>TRAP &amp; ZOID + YOSHIO MACHIDA<br \/>\nANIL ERASLAN<br \/>\nBEST BEFORE UNU<\/h5>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-4772\" title=\"yoshio_machida_small1\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/yoshio_machida_small1-300x199.jpg\" alt=\"yoshio_machida_small1\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/yoshio_machida_small1-300x199.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/yoshio_machida_small1.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>TRAP &amp; ZOID + YOSHIO MACHIDA [JAP]<br \/>\n\/\/ Analog Synthesizer<\/p>\n<p>ANIL ERASLAN [TRK]<br \/>\n\/\/ Cello<\/p>\n<p>BEST BEFORE UNU [GR]<br \/>\n\/\/ Elektronik, Animation<\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><strong>Constantin Papageorgiadis<\/strong> aka <strong>Trap &amp; Zoid<\/strong> und <strong>Yoshio Machida<\/strong> arbeiten mit den seltenen Vintage Mosular Synthesizern von EMS SYNTHI AKS. Sie werden einen Synthi 100 spielen und ein spezielles Interface zwischen zwei Synthesizern, das von Papageorgiadis gebaut wurde. W\u00e4hrend Machida sein Instrument als Rhythmusmaschine versteht und damit Pattern kreiert, beginnt Trap &amp; Zoid bei Null und baut progressiv einen einzigen evolution\u00e4ren Strang, um den Synthi zu unterst\u00fctzen.<br \/>\n<a href=\"http:\/\/synthimods.mooo.com\" target=\"_blank\" rel=\"noopener\">http:\/\/synthimods.mooo.com<\/a> <a href=\"http:\/\/www.yoshiomachida.com\">yoshiomachida.com<\/a><\/p>\n<p><strong>Anil Eraslan<\/strong> kommt aus Ankara und zog nach Strasbourg in Frankreich, um klassische und aktuelle Musik zu studieren und mit traditioneller T\u00fcrkischer Folklore zu kreuzen. Er kann das mit seinem Cello oder in Verbindung mit Elektronik und manchmal sogar mit Film. In jedem Fall versteht er Genres nicht als Grenzen, sondern versucht alte, neue und experimentelle Musik mit anderen Kunstformen zu mischen.<br \/>\n<a href=\"http:\/\/www.anileraslan.com\" target=\"_blank\" rel=\"noopener\">www.anileraslan.com<\/a><\/p>\n<p>unu ist <strong>Antonis Anissegos<\/strong> und bestbefore ist <strong>Andreas Karaoulanis<\/strong>. Zusammen sind sie <strong>best before unu<\/strong>. Sie trafen sich live auf der B\u00fchne eines Festivals in Thessaloniki. Die intensiven Electronics fanden einen visuellen Gegenpol, die gemeinsam komplexe klanglich-visuelle Formationen generieren. W\u00e4hrend die Frequenzen analysiert werden und in Bildbewegungen umgewandelt werden, die wiederum in Musik transformiert werden, ergibt sich eine nicht endende Zirkulation von gegenseitiger Beeinflussung.<br \/>\n<a href=\"https:\/\/vimeo.com\/channels\/bestbeforeunu\/45698800\" target=\"_blank\" rel=\"noopener\">bestbefore.gr<\/a><\/p>\n<p><strong>Andreas Karaoulanis<\/strong> gibt einen Workshop \u00fcber <strong>Animationen<\/strong> am 21.November um 12 Uhr im K\u00fcnstlerhaus. Information und Anmeldung an achim(at)mexappeal.de \/ Max.13 Pl\u00e4tze!<\/p>\n<p>\u2014\u2014\u2014<\/p>\n<pre><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-4773\" title=\"anil-eraslan-567x3301\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/anil-eraslan-567x3301-300x174.jpg\" alt=\"anil-eraslan-567x3301\" width=\"300\" height=\"174\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/anil-eraslan-567x3301-300x174.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/anil-eraslan-567x3301.jpg 567w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/pre>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><span style=\"font-style: italic;\"><strong>Constantin Papageorgiadis<\/strong> aka <strong>Trap &amp; Zoid<\/strong> and <strong>Yoshio Machida<\/strong> use rare vintage modular synthesizers by EMS SYNTHI AKS only. They will play the SYNTHI 100 and a special interface between the two units built by Papageorgiadis. While Machida understands his instrument as a rhythm machine, using it to create patterns, Trap &amp; Zoid&#8217;s approach is to start from nothing, progressively creating a single evolutive patch and support the Synthi through it<\/span><span style=\"font-style: italic;\">.<\/span><\/p>\n<p><em><a href=\"http:\/\/synthimods.mooo.com\" target=\"_blank\" rel=\"noopener\">http:\/\/synthimods.mooo.com<\/a> <\/em><a href=\"http:\/\/www.yoshiomachida.com\">yoshiomachida.com<\/a><\/p>\n<p><em><strong>Anil Eraslan<\/strong> hails from Ankara but moved to Strasbourg in France to study calssical and contemporary music and cross it all with traditional turkish music. He can do that with his cello alone or sometimes he adds electronics and sometimes even film. In any way he doesn&#8217;t consider genres as boundaries and seeks to blend old, new and the experimental music with other art forms..<br \/>\n<\/em><em><a href=\"http:\/\/www.anileraslan.com\" target=\"_blank\" rel=\"noopener\">www.anileraslan.com<\/a><\/em><\/p>\n<p><em>unu is <strong>Antonis Anissegos<\/strong> and bestbefore is <strong>Andreas Karaoulanis<\/strong>. Together they are <strong>best before unu<\/strong>. And they met live on stage at a festival in Thessaloniki. The intense electronics found a visual counterpoint, generating complex sonic-visual formations. While audio frequencies are analyzed and passed into image motions, which in turn feed back to the music, a never ending circulation of &nbsp;influences travels in both directions.<br \/>\n<a href=\"bestbefore.gr\" target=\"_blank\" rel=\"noopener\">bestbefore.gr<\/a><\/em><\/p>\n<p><strong>Andreas Karaoulanis<\/strong> holds a workshop about <strong>animation<\/strong> on November 21 at noon at the K\u00fcnstlerhaus. Information and application to achim(at)mexappeal.de \/ Max.13 participants!<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-4766\" title=\"best-before-unu1\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/best-before-unu1-271x300.jpg\" alt=\"best-before-unu1\" width=\"271\" height=\"300\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/best-before-unu1-271x300.jpg 271w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2015\/06\/best-before-unu1.jpg 550w\" sizes=\"(max-width: 271px) 100vw, 271px\" \/><\/p>\n<p><span style=\"font-family: 'Courier New', monospace; font-size: 12px; line-height: 18px;\">\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>\n<p>Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund, Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/pages\/Mexappeal\/242992172453544?ref=bookmarks\" target=\"_blank\" rel=\"noopener\">Facebook\/mexappeal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRAP ZOID + YOSHIO MACHIDA<br \/>\nANIL ERASLAN<br \/>\nBEST BEFORE UNU<\/p>\n","protected":false},"author":1,"featured_media":4772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[818],"tags":[869,866,868,867,864,863,865],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4763"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4763"}],"version-history":[{"count":28,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4763\/revisions"}],"predecessor-version":[{"id":5998,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4763\/revisions\/5998"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/4772"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4763"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}