{"id":4965,"date":"2016-06-05T23:50:18","date_gmt":"2016-06-05T21:50:18","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=4965"},"modified":"2025-05-09T11:03:44","modified_gmt":"2025-05-09T09:03:44","slug":"24-juni-2016","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=4965","title":{"rendered":"24.Juni 2016"},"content":{"rendered":"

Freitag – 20 h
\nmex im K\u00fcnstlerhaus
\nSunderweg 1, Dortmund<\/p>\n

Eintritt 6 EUR<\/p>\n

nyak 10<\/p>\n

B\u00b0TONG
\nERYCK ABECASSIS
\nRINUS VAN ALEBEEK<\/h5>\n

<\/p>\n

<\/h5>\n
\"B\u00b0Tong\"
B\u00b0Tong<\/figcaption><\/figure>\n

B\u00b0TONG [CH]
\n\/\/ Objekte, Effektpedale<\/p>\n

ERYCK ABECASSIS [F]
\n\/\/ Modular Synth<\/p>\n

RINUS VAN ALEBEEK [NL]
\n\/\/ Kassetten, Kassettenspieler<\/p>\n

\u2014\u2014\u2014<\/pre>\n
B\u00b0Tong<\/strong> ist beeinflusst vom spielerischen Ansatz der fr\u00fchen elektronischen Klangt\u00fcftler, aber auch von Science-Fiction, Unterwasserwelten und Horrorfilmen. K\u00fcchengeschirr, Ventilatoren, Metall und Mikrofone werden als Quellen kombiniert mit gesammelten Ger\u00e4uschen aus Film und Radio und zu einer eigenwilligen Klangkollage verarbeitet, in der Bilder von Dunkelheit und Ruhe oder die Einsamkeit polarer N\u00e4chte beschworen werden. Zum Gl\u00fcck ist es im Juni warm genug.
\nhttp:\/\/btongmusic.wix.com\/btong<\/a><\/p>\n
\u2014\u2014\u2014<\/pre>\n
Eryck Abecassis<\/strong> ist Komponist, Musiker, Filmemacher und Fotograf und in Algiers geboren. Er bewegt sich mit seiner Musik in mehreren Bereichen: von orchestraler bis Kammermusik, Elektronik, Theater, Stra\u00dfentheater und Film. Spielerisch springt er zwischen den Grenzen von Contemporary und Electronic Noise Music hin und her. Daf\u00fcr benutzt er bevorzugt den Modularsynthesizer Chrysalide.
\nhttp:\/\/www.eryckabecassis.com<\/a><\/p>\n
\u2014\u2014\u2014<\/pre>\n
Rinus van Alebeek<\/strong> verwendet Kassetten und Kassettenspieler. Auf den Kassetten findet man h\u00e4usliche und umweltbedingte Situationen, aber auch kommerziell vertriebene Musik. Die Entwicklung einer Geschichte, die sich of abstrakt zur Zeit verh\u00e4lt, h\u00e4ngt einzig von seiner Intuition ab. Der Auftrittsort bestimmt die Dynamik des Konzertes. Das kann im Mex-Keller ja nur gut werden.
\nhttp:\/\/rinusvanalebeek.com<\/a><\/p>\n
\"Eryck
Eryck Abecassis<\/figcaption><\/figure>\n
\u2014\u2014\u2014<\/pre>\n
B\u00b0Tong<\/strong> is influenced by the playful approach of the early electronic masters, but also by science-fiction, underwater worlds and horror films. Kitchenware, fans, metal and microphones are as sources combined with collected sounds from films and radio and processed to an idiosyncratic sound collage that conjure up pictures of darkness and quiet or the loneliness of polar nights. Luckily it’s warm enough in june.
\nhttp:\/\/btongmusic.wix.com\/btong<\/a><\/p>\n
\u2014\u2014\u2014<\/pre>\n
Eryck Abecassis<\/strong> is composer, musician, filmmaker and photographer born in Algiers. He undertakes his work in several fields from orchestral to chamber music, electronic, theater, street theater and movies. Switching between the edges of contemporary and electronic noise music, with a large use of a modular synthesizer called Chrysalide.
\nhttp:\/\/www.eryckabecassis.com<\/a><\/p>\n
\u2014\u2014\u2014<\/pre>\n
Rinus van Alebeek<\/strong> uses cassettes and cassette players. On the cassettes you find domestic and environmental situations, but also commercially distributed music. The development of an -often times abstract- narrative depends completely on his intuition. The performance space determines the dynamics of the concert. So this can just be great in the mex-cellar.
\nhttp:\/\/rinusvanalebeek.com<\/a><\/p>\n
\"Rinus
Rinus van Alebeek<\/figcaption><\/figure>\n
\u2014\u2014\u2014<\/pre>\n
Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund, Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n
Facebook\/mexappeal<\/a><\/p>\n
 <\/p>\n","protected":false},"excerpt":{"rendered":"
B\u00b0TONG
\nERYCK ABECASSIS
\nRINUS VAN ALEBEEK<\/p>\n","protected":false},"author":1,"featured_media":4970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[818],"tags":[852,853,854],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4965"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4965"}],"version-history":[{"count":16,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4965\/revisions"}],"predecessor-version":[{"id":5995,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/4965\/revisions\/5995"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/4970"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4965"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}