{"id":530,"date":"2010-02-19T10:58:59","date_gmt":"2010-02-19T08:58:59","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=530"},"modified":"2025-05-09T11:28:36","modified_gmt":"2025-05-09T09:28:36","slug":"nyan-11","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=530","title":{"rendered":"nyan 11"},"content":{"rendered":"

19. Februar 2010<\/strong> Freitag – 20 h<\/p>\n

mex<\/strong>
\nim K\u00fcnstlerhaus Dortmund
\nEintritt 5 EUR<\/p><\/blockquote>\n

NICOLAS COLLINS
\nDAVID BEHRMAN
\nDAMIAN MARHULETS<\/p>\n

\"Nic<\/h5>\n

—————-<\/p>\n

NICOLAS COLLINS<\/strong> [USA]
\n„Salvage (Guiyu Blues)“<\/em>
\nfor seven performers reanimating dead circuitry<\/em><\/p>\n

DAVID BEHRMAN<\/strong> [USA]
\n„Long Throw“
\nlaptop and live-electronic<\/em><\/p>\n

DAMIAN MARHULETS<\/strong> [BY]
\n„Displaced Meanings: 8 1\/2 Bites“
\nturntable, electronic and live visuals<\/em><\/p>\n

----<\/pre>\n
DJ goes VJ. Der studierte Klassik-Oboist Damian Marhulets<\/strong> \u00fcberschreitet intermediale Grenzen und verschiebt musikalisch die Bedeutungen seines urspr\u00fcnglich von Atari-Spielkonsolen stammenden Videomaterials. Das Visuelle dieser Old-school 8 bit Computerspiele wird live durch Schallplatten-Kl\u00e4nge kontrolliert und verfremdet. Das Akustische suggeriert scheinbar (un-)passende Inhalte, und diverse D\u00e9ja-vus erzeugen eine multipel mehrdeutige Spannung zwischen Abstrakt und Real. Spielstrategie: Mit Form und Inhalt experimentell jonglieren!<\/p>\n
Long Throw<\/em>, Auftragswerk f\u00fcr die legend\u00e4re Cunningham Dance Company (2007), beruht auf David Behrman<\/strong>s 1969er-Schallplattenproduktion des Cage-St\u00fcckes \u201eMusic for Marcel Duchamp\u201c von 1947. So spielen neben dem Hauptinstrument Violine Piano-Ankl\u00e4nge eine gro\u00dfe Rolle. Wesentlich jedoch ist bei Behrman stets die Interaktion zwischen dem Computerprogramm und den auff\u00fchrenden \u2013 gelegentlich auch virtuellen \u2013 Solisten, die individuell Tonh\u00f6he oder Lautst\u00e4rke der zart-vitalen Komposition verschieben. Technische Raffinesse: Klangsensoren.<\/p>\n
Nicolas Collins<\/strong> bringt gerne Selfmade-Elektronik, Klangfunde und manipulierte Musikinstrumente auf die B\u00fchne. So entwickelt er seit 1974 beispielsweise eine Apparatur weiter, die raumspezifische \u201eRagas\u201c aus computerkontrollierten Feedbacks erzeugt. Dabei reagieren fluktuierende Muster von T\u00f6nen auf Raumresonanz, Nachhallzeit und Besucherbewegung. Bei mex re-animiert er zusammen mit 6 Performern diverse tote Platinen. Collins als leitender Klangdoktor gibt vor allem vor, wann die agierende Hand jeweils still halten soll, so dass das erreichte Knarzen, Schrappen oder Fiepen f\u00fcr eine Weile stabil bleibt …<\/p>\n
----<\/pre>\n
\"David<\/p>\n
----<\/pre>\n
DJ goes VJ. Damian Marhulets<\/strong> studied classical oboe. Now he exceeds intermediale borders and shifts musically the meanings of video material coming from Atari paddles. The visuals of these old school, 8-bits computer games are controlled and alienated live by sounds of record. The acoustic suggests apparently (un)suitable contents, and various d\u00e9j\u00e0 vus produce a multiple ambiguous tension between abstract and real. Player strategy: Juggle experimentally with form and contents!<\/em><\/p>\n
Long Throw, a commissioned piece for the legendary Cunningham Dance Company (2007), is based on David Behrman<\/strong>s record production 1969 of the Cage piece \u201emusic for Marcel Duchamp\u201c in 1947. Beside the main instrument piano, violin plays a major role.  Substantially however for Behrman is always the interaction between the computer program and the performing – occasionally also virtual \u2013 soloists, which shift individually pitch or volume of the tender-vital composition. Technical finesse: Sound sensors.<\/em><\/p>\n
Nicolas Collins<\/strong> likes to bring selfmade electronics, sound discoveries and manipulated music instruments on stage. Thus, for example, he develops further since 1974 an equipment, which produces space-specific \u201cragas\u201d from computer-controlled feedbacks. In doing so, fluctuating samples of sounds react to resonance in space, reverberation time and movement of the spectator. At mex he, together with 6 performers, reanimates various dead circuitries. Collins as the leading sound doctor stimulates primarily, when the acting hand is to keep quiet at any time, so that the attained creaking, scraping or cheeping remains stable for a while \u2026<\/em><\/p>\n
———<\/p>\n
Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund sowie Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Maija Julius<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
NICOLAS COLLINS
\nDAVID BEHRMAN
\nDAMIAN MARHULETS<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[184,431,547,544,4],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/530"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=530"}],"version-history":[{"count":43,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/530\/revisions"}],"predecessor-version":[{"id":6028,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/530\/revisions\/6028"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=530"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}