{"id":5317,"date":"2019-03-09T01:16:59","date_gmt":"2019-03-08T23:16:59","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=5317"},"modified":"2022-11-10T11:40:33","modified_gmt":"2022-11-10T09:40:33","slug":"05-april-2019","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=5317","title":{"rendered":"05. April 2019"},"content":{"rendered":"<p>Freitag &#8211; 20 h<br \/>\nmex im K\u00fcnstlerhaus<br \/>\nSunderweg 1, Dortmund<\/p>\n<p>Eintritt 6 EUR<\/p>\n<p>nyak 23<\/p>\n<h5>ANTEZ<br \/>\nTATSURU ARAI<br \/>\nJAAP BLONK &amp; TERRIE EX<\/h5>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-5177\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2018\/03\/Svarte_Greiner_-_photo_by_Tanya_Mar-Kopie.tif\" alt=\"Svarte Greiner (photo by Tanya Mar)\" width=\"1\" height=\"1\" \/><\/p>\n<figure id=\"attachment_5335\" aria-describedby=\"caption-attachment-5335\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-5335\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/continuum-300x255.jpg\" alt=\"\" width=\"300\" height=\"255\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/continuum-300x255.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/continuum.jpg 404w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-5335\" class=\"wp-caption-text\">Antez<\/figcaption><\/figure>\n<p>ANTEZ [FR]<br \/>\n\/\/ Trommel, Objekte<\/p>\n<p>TATSURU ARAI [JP]<br \/>\n\/\/ Composition\/Sound, Visual programming<\/p>\n<p>JAAP BLONK &amp; TERRIE EX [NL]<br \/>\n\/\/ Voice, Electronic, Guitar<\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p>Das Projekt mit dem Titel &#8222;Continuum&#8220; von <strong>Antez<\/strong> basiert auf der Idee, einen endlosen akustischen Klang durch Vibration entstehen zu lassen. Dazu benutzt er eine gro\u00dfe Trommel und verschiedene Objekte. Er sagt selbst: Ich entwickele eine intime Seelenverwandtschaft zu den vibrierenden Materialien. Ich muss die Vibrationen in meinem K\u00f6rper auf unterschiedlichen Levels absch\u00e4tzen, um in der Lage zu sein, meine K\u00f6rperhaltung und Bewegungen zu koordinieren und sie zum Vibrieren zu bringen.<br \/>\n<a href=\"http:\/\/www.antez.org\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.antez.org<\/a><br \/>\n\u2014\u2014\u2014<\/p>\n<p>QUANTUM-TON ist das 3. Kapitel der Hyper Serial Music Reihe von<strong>\u00a0Tatsuru Arai<\/strong>. Das Projekt baut auf der Geschichte der Seriellen Musik auf, eine wichtige Kompositionsmethode des 20.Jahrhunderts, indem es neue Technologien und neue Perspektiven wie k\u00fcnstliche Intelligenz verwendet. In der Geschichte der Musiktechnologie wird Hyper-Serial-Music drei wichtige Punkte zur Innovation hinzuf\u00fcgen: &#8222;Struktur&#8220;, &#8222;Komplexit\u00e4t&#8220; und &#8222;Noise&#8220;. Diese Sounds sind auf der Grenze der auditiven Wahrnehmungsf\u00e4higkeit des Menschen.<br \/>\n<a href=\"https:\/\/www.tatsuruarai.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.tatsuruarai.com<\/a><\/p>\n<p>\u2014\u2014\u2014<\/p>\n<p><strong>Jaap Blonk<\/strong> ist ein Niederl\u00e4ndischer Avant-Garde Komponist und Klangpoet. In erster Linie Autodidakt, war eine seiner ersten Einfl\u00fcsse Kurt Schwittters, dessen Ursonate eine der Eckpfosten seines Repertoires wurde. Im Jahr 2006 begann er mit dem Gitarristen <strong>Terrie Ex<\/strong> von der Band The Ex zu arbeiten und sie spielten einige Konzerte. Ihr neues Album &#8222;Thirsty Ears&#8220; ist ein Abenteuer der Improvisation von Sound und Poesie mit Elektronik, Gitarre und Stimme.<\/p>\n<p><a href=\"http:\/\/www.jaapblonk.com\/Pages\/blnkntrr.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.jaapblonk.com\/Pages\/blnkntrr.html<\/a><\/p>\n<figure id=\"attachment_5336\" aria-describedby=\"caption-attachment-5336\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-5336 size-medium\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/iue-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/iue-300x200.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/iue.jpg 672w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-5336\" class=\"wp-caption-text\">Tatsuru Arai<\/figcaption><\/figure>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><b>Antez&#8217;s<\/b>\u00a0project called &#8222;Continuum&#8220; is based on the idea to create a continuous acoustic sound through vibration. Therefor he uses a large drum and various objects. He says: I develop an intimate affinity with the materials in vibration. I have to evaluate these vibrations in my body at different levels to be able to coordinate my postures and movements, and thus put them in vibration.<br \/>\n<a href=\"http:\/\/www.antez.org\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.antez.org<\/a><\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p>QUANTUM-TON is the 3rd chapter of <strong>Tatsuru Arai<\/strong>&#8217;s Hyper Serial Music series. The Project expands on the history of serialism, an important 20th century method of composing, by incorporating new technologies and new perspectives, including artificial intelligence. In the history of music technology, Hyper-Serial-Music will add three points of innovation to the principle: &#8222;structural&#8220;, &#8222;complex&#8220; and &#8222;noisy&#8220;. These sounds are on the boundaries of human auditory perception and cognition.<br \/>\n<a href=\"https:\/\/www.tatsuruarai.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.tatsuruarai.com<\/a><\/p>\n<pre>\u2014\u2014\u2014<\/pre>\n<p><strong>Jaap Blonk<\/strong> is a Dutch avant-garde\u00a0composer and\u00a0sound poet. Primarily self-taught, one of his early influences was Kurt Schwitters, whose Ursonate became one of the cornerstones of his repertory. He hooked up with The Ex guitarist <strong>Terrie Ex<\/strong> in 2006 and they did several gigs. Their new album &#8222;Thirsty Ears&#8220; is an adventure in improvising sound and poetry with electronics, guitar and vocals.<br \/>\n<a href=\"http:\/\/www.jaapblonk.com\/Pages\/blnkntrr.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.jaapblonk.com\/Pages\/blnkntrr.html<\/a><\/p>\n<figure id=\"attachment_5326\" aria-describedby=\"caption-attachment-5326\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-5326\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/blnkntrr_by-andy-moor-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/blnkntrr_by-andy-moor-300x200.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/blnkntrr_by-andy-moor-768x512.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2019\/02\/blnkntrr_by-andy-moor.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-5326\" class=\"wp-caption-text\">Terrie Ex &amp; Jaap Blonk (Foto: Andy Moor)<\/figcaption><\/figure>\n<pre>\u2014\u2014\u2014<\/pre>\n<p>Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund, Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/pages\/Mexappeal\/242992172453544?ref=bookmarks\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\/mexappeal<\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/channel\/UCyUgy8zSPcVFeWV98_GSOYw\">YouTube\/mex<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANTEZ <br \/>\nTATSURU ARAI<br \/>\nJAAP BLONK &#038; TERRIE EX<\/p>\n","protected":false},"author":1,"featured_media":5339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[818],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5317"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5317"}],"version-history":[{"count":12,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5317\/revisions"}],"predecessor-version":[{"id":5764,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5317\/revisions\/5764"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/5339"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5317"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}