{"id":5517,"date":"2021-09-05T22:25:17","date_gmt":"2021-09-05T20:25:17","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=5517"},"modified":"2022-11-10T11:30:48","modified_gmt":"2022-11-10T09:30:48","slug":"25-september-2021","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=5517","title":{"rendered":"25. September 2021"},"content":{"rendered":"\n<p>Samstag &#8211; 19 h<br \/>mex im K\u00fcnstlerhaus<br \/>Sunderweg 1, Dortmund<\/p>\n\n\n\n<p>Eintritt 6 Euro<\/p>\n\n\n\n<p>nyaz 27<\/p>\n\n\n\n<h5>ANNA SCHIMKAT &amp; MICHAEL BARTHEL<\/h5>\n\n\n\n<h5>BIRGIT ULHER<br \/><\/h5>\n\n\n\n<p><\/p>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"812\" height=\"1024\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-812x1024.jpg\" alt=\"\" class=\"wp-image-5519\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-812x1024.jpg 812w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-238x300.jpg 238w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-768x969.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-1217x1536.jpg 1217w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-1623x2048.jpg 1623w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/Schimkat-Barthel-Sing-mit-scaled.jpg 2029w\" sizes=\"(max-width: 812px) 100vw, 812px\" \/><figcaption class=\"wp-element-caption\">Anna Schimkat &amp; Michael Barthel<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>ANNA SCHIMKAT &amp; MICHAEL BARTHEL (Leipzig)<br \/>\/\/ Sing mit<\/p>\n\n\n\n<p>BIRGIT ULHER (Hamburg)<br \/>\/\/ Matter Matters<\/p>\n\n\n\n<pre class=\"wp-block-preformatted\">\u2014\u2014\u2014<\/pre>\n\n\n\n<p>Obwohl auf zwei Seiten der&nbsp;deutschen Mauer aufgewachsen,&nbsp;waren die beiden K\u00fcnstler:innen&nbsp;doch \u00e4hnlichen Melodien und&nbsp;Inhalten ausgesetzt.&nbsp;<strong>Anna Schimkat<\/strong>&nbsp;(*1974, Darmstadt) kam durch die&nbsp;Aktivit\u00e4ten der Eltern in der&nbsp;Friedens- und Frauenbewegung mit&nbsp;Protestliedern in Kontakt,&nbsp;w\u00e4hrend&nbsp;<strong>Michael Barthel<\/strong> (*1977, Ostberlin)&nbsp;dieses Liedgut institutionell und&nbsp;staatlich verordnet kennenlernte. Die&nbsp;Erfahrungen in der Transformationsgesellschaft&nbsp;30 Jahre nach der&nbsp;Wiedervereinigung Deutschlands in&nbsp;Relation zur&nbsp;Industriegeschichte&nbsp;bilden den Ausgangspunkt f\u00fcr die Gesamtkomposition.&nbsp;Pr\u00e4parierte&nbsp;Plattenspieler, Megaphone,&nbsp;industrielle Objekte, Fieldrecordings&nbsp;und die eigenen Stimmen \u2013 singen&nbsp;mit. SING AUCH DU!<br \/><a href=\"http:\/\/recordingsforthesummer.de\/duo-schimkat-barthel\">recordingsforthesummer.de\/duo-schimkat-barthel<\/a><\/p>\n\n\n\n<p>Mit ihrem Soloprogramm &#8222;Matter Matters&#8220; pr\u00e4sentiert die Musikerin, Komponistin ung bildende K\u00fcnstlerin <strong>Birgit Ulher<\/strong> gleich vier ihrer Kompositionen f\u00fcr Trompete und diverse andere Dinge, Bei &#8222;Traces&#8220; kommen ein &#8222;Tape&#8220; , Objekte, Lautsprecher und ein Radio zum Einsatz. F\u00fcr &#8222;Radio Drone&#8220; hat sie das Radio weiter dabei und kombiniert es mit einem &#8222;Voice Changer&#8220;. Und bei &#8222;Public Transport&#8220; teilt sie sich die B\u00fchne mit zwei &#8222;Record Runnern&#8220; und dem Radio mit Objekten. F\u00fcr &#8222;How to get away by car&#8220; hat sie eigens ein Video produziert. Birgit Ulher hat einen Background in der Bildenden Kunst, seit 1982 lebt sie als freischaffende Musikerin in Hamburg. Seitdem hat sie eine individuelle, am Klang orientierte musikalische Sprache jenseits des offenen Trompetentons entwickelt. Besonderes Interesse gilt der Materialforschung und dem Verh\u00e4ltnis von Stille und Klang.<br \/><a href=\"http:\/\/www.birgit-ulher.de\">http:\/\/www.birgit-ulher.de<\/a><br \/><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"791\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher-1024x791.jpg\" alt=\"\" class=\"wp-image-5520\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher-1024x791.jpg 1024w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher-300x232.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher-768x593.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher-1536x1186.jpg 1536w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/birgit-ulher.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Birgit Ulher<\/figcaption><\/figure>\n\n\n\n<pre class=\"wp-block-preformatted\">\u2014\u2014\u2014<\/pre>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Even though they grew up on two different sides of the German Wall, both artists were confronted with similar melodies and contents. <strong>Anna Schimkat<\/strong> (*1974, Darmstadt) got into protest songs via her parents who were active in peace- and feminist movements. While <strong>Michael Barthel<\/strong> (*1977, Ostberlin) learned about those heritage songs institutionalized and state-mandated. Those experiences within the transformation society 30 years after the German Reunion in relation to the industrial history set the starting point for their composition &#8222;Sing With Us&#8220;. Prepared record players, megaphones, industrial objects, field recordings and their own voices join the singing. JOIN TO SING! <br \/><a href=\"http:\/\/recordingsforthesummer.de\/duo-schimkat-barthel\">recordingsforthesummer.de\/duo-schimkat-barthel<\/a><\/em><\/p>\n\n\n\n<p><em>With her solowork &#8222;Matter Matters&#8220;, the musician, composer and fine artist, <strong>Birgit Ulher<\/strong>, presents four different compositions for trumpet and diverse other things. For &#8222;Traces&#8220; she has a &#8222;tape&#8220; included, as well as some objects, speakers and a radio. The radio is also part of &#8222;Radio Drone&#8220; that is then combined with a &#8222;voice changer&#8220;. On &#8222;Public Transport&#8220; she shares the stage with two &#8222;record runners&#8220;, the radio and more objects, while &#8222;How to get away by car&#8220; presents some videowork of hers. Birgit Ulher has a background in fine arts and lives as a freelancing artist in Hamburg since 1982. And she has developed an individual sound-oriented musical language beyond the open sound of the trumpet. Her special interest hereby lies in the materials and the relation between silence and sound.<\/em><br \/><em><a href=\"http:\/\/www.birgit-ulher.de\">http:\/\/www.birgit-ulher.de<\/a><\/em><\/p>\n\n\n\n<p>\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Das Konzert von Birgit Ulher wird erm\u00f6glicht durch die F\u00f6rderung des Musikfonds.<br \/>Das Konzert von Anna Schimkat &amp; Michael Barthel wird durch sowohl die F\u00f6rderung des Musikfonds, als auch durch die Kulturstiftung des Freistaates Sachsen erm\u00f6glicht.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"205\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/musikfonds_NK_BKM_quer_rgb-mail.jpg\" alt=\"Musikfonds\" class=\"wp-image-5549\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/musikfonds_NK_BKM_quer_rgb-mail.jpg 1000w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/musikfonds_NK_BKM_quer_rgb-mail-300x62.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/musikfonds_NK_BKM_quer_rgb-mail-768x157.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Musikfonds<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"250\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-1024x250.jpg\" alt=\"\" class=\"wp-image-5547\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-1024x250.jpg 1024w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-300x73.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-768x187.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-1536x374.jpg 1536w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2021\/09\/KDFS_LogoWappenText_2020_SW-2048x499.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Die Regeln f\u00fcr den Besuch im K\u00fcnstlerhaus im Bezug auf Corona lesen sie bitte <a href=\"https:\/\/www.kh-do.de\/ausstellungen\/ausstellungen-2021\/regeln-fuer-den-kuenstlerhaus-besuch\">hier<\/a> auf der Seite des <a href=\"https:\/\/www.kh-do.de\/ausstellungen\/ausstellungen-2021\/regeln-fuer-den-kuenstlerhaus-besuch\">K\u00fcnstlerhauses<\/a> nach!<\/p>\n\n\n\n<p>Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund, Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/pages\/Mexappeal\/242992172453544?ref=bookmarks\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook\/mexappeal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANNA SCHIMKAT &#038; MICHAEL <br \/>BARTHEL<\/p>\n<p>BIRGIT ULHER<\/p>\n","protected":false},"author":6,"featured_media":5520,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[886],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5517"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5517"}],"version-history":[{"count":15,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5517\/revisions"}],"predecessor-version":[{"id":5751,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5517\/revisions\/5751"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/5520"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5517"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}