{"id":5618,"date":"2022-01-01T14:50:15","date_gmt":"2022-01-01T12:50:15","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=5618"},"modified":"2022-11-10T11:28:46","modified_gmt":"2022-11-10T09:28:46","slug":"22-januar-2022-2","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=5618","title":{"rendered":"22. Januar 2022"},"content":{"rendered":"\n

Samstag – 20 h
mex im K\u00fcnstlerhaus
Sunderweg 1, Dortmund<\/p>\n\n\n\n

Eintritt 6 Euro<\/p>\n\n\n\n

nyaz 29<\/p>\n\n\n\n

CHRISTIAN FAUBEL
MEXTENSIONS<\/h5>\n\n\n\n\n\n\n\n
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Christian Faubel<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

CHRISTIAN FAUBEL [DE]
\/\/ Songs from my analogue utopia<\/p>\n\n\n\n

MEXTENSIONS
\/\/ 15-in-1 Kurzfilm von 15 K\u00fcnstlerInnen<\/p>\n\n\n\n

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Der grandiose Christian Faubel<\/strong> kommt zur Rettung, nachdem 120DEN<\/strong> kurzfristig absagen mu\u00dften. In seinem Projekt „Songs from my analogue utopia“ erkundet er die selbst-organisierten Koordinations-Dynamiken von analogen Oszillatoren und der utopischen Potentiale von analoger Kommunikation. Diese Untersuchungen f\u00fchrt Christian auf der Scheibe eines Tageslichtprojektors durch, auf der er kleine Motoren platziert, die von kleinen analogen Oszillatoren angetrieben werden. Die Motoren schlagen dann Gummib\u00e4nder an, die mit Piezo-Pickups ausgestattet sind und die Schl\u00e4ge in ein Klang- und Schattenspiel \u00fcbersetzen. Er ist ein interdisziplin\u00e4rer Wissenschaftler, der in den unterschiedlichen Feldern von Neurowissenschaft, autonomer Systemforschung und Medienkunst und Design t\u00e4tig ist. Seit 2020 arbeitet er als Professor f\u00fcr „smart connected products“ an der Universit\u00e4t f\u00fcr angewandte Wissenschaften K\u00f6ln<\/a>, an der er das neue Bachelor-Programm code & context<\/a> unterrichtet.
https:\/\/christian.faubel.derstrudel.org<\/a><\/em><\/p>\n\n\n\n
2020 gab es aufgrund von Corona kein einziges mex-Konzert, aber daf\u00fcr einen feinen Sampler<\/a> auf Vinyl, Kassette und CD. Im Jahr 2021 waren es anf\u00e4nglich recht wenige Aussichten, dass sich daran etwas \u00e4ndern k\u00f6nnte, daher begannen wir bei mex uns etwas neues auszudenken und kamen auf die Idee, 15 internationale K\u00fcnstlerInnen zu einem Kettenfilm einzuladen. Als die Besetzung fest stand, fing Tina Daurova<\/strong> (RU\/DE) mit einer Sequenz an, die anschlie\u00dfend Tim Huys<\/strong><\/a> (DE) bekam. Der drehte weitere 3 Minuten dazu und schickte es an Lena Czerniawska<\/strong> <\/a>(PL), die dann den Film fortfuhr. Im Anschluss entwickelten Pablo Paredes <\/strong><\/a>(CL\/D), Tatsuru Arai <\/a><\/strong>(JP), Stefan Demming <\/a><\/strong>(DE), Oren Banai <\/strong>(IL\/NL), A\u00edda Rebull <\/strong>(MX), Achim Zepezauer <\/a><\/strong>(DE), Vera Vorneweg<\/a> <\/strong>(DE), Wei Kang Beh <\/a><\/strong>(MY), Tina Dunkel <\/a><\/strong>(DE), Anna Lytton<\/a> <\/strong>(DE), <\/em>Jessica Arseneau <\/a><\/strong>(CA) und Malte Jehmlich <\/a><\/strong>(DE) auf ihre Weise das Projekt in Bild und Ton immer weiter. Und nach drei Monaten war ein 45-min\u00fctiger Film fertig, der eine wunderbar facettenreiche und unvorhersehbare Geschichte erz\u00e4hlt..
Trailer<\/a><\/p>\n\n\n\n
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Film Still Vera Vorneweg<\/figcaption><\/figure>\n\n\n\n
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The great Christian Faubel<\/strong> comes for the rescue, since 120DEN<\/strong> had to cancel on short notice. In his solo project „Songs from my analogue utopia“ he explores the self-organized coordination dynamics of analogue oscillators and the Utopian potentials of analogue communication. Christian undertakes this exploration on the screen of an overhead projector where he places little motors driven by analogue oscillators. The motors hit on rubber bands which are equipped with piezo-pickups, rendering the rhythmical hitting of the motors into sound and into a shadow play. He is an interdisciplinary scholar working in the differing fields of neuroscience, autonomous systems research and media art & design. Since 2020 he holds a position as professor for smart connected products at the university of applied sciences cologne<\/a>, where he teaches in the new bachelor program code & context<\/a>.
https:\/\/christian.faubel.derstrudel.org<\/a><\/em><\/p>\n\n\n\n
Due to Covid19 we had no mex-concert organized in 2020, but therefore produced a fine Sampler<\/a> on vinyl, cassette and cd. Begin 2021 it seemed as if it would be much the same, so we at mex started to think about something else we could do and came up with the idea to invite 15 international artists to join a chain-video-project. As soon as there was everybody in, Tina Daurova<\/strong> (RU\/DE) started with a short sequence, that would then be sent to Tim Huys<\/strong><\/a> (DE). He filmed further three minutes and forwarded it to Lena Czerniawska<\/strong><\/a> (PL), who would then continue the movie. One after the other would add to the development of the story in their very own way and Pablo Paredes <\/strong><\/a>(CL\/DE), Tatsuru Arai <\/a><\/strong>(JP), Stefan Demming<\/a> <\/strong>(DE), Oren Banai <\/strong>(IL\/NL), A\u00edda Rebull <\/strong>(MX), Achim Zepezauer <\/a><\/strong>(DE), Vera Vorneweg<\/a> <\/strong>(DE), Wei Kang Beh <\/a><\/strong>(MY), Tina Dunkel<\/a> <\/strong>(DE), Anna Lytton<\/a> <\/strong>(DE), Jessica Arseneau <\/a><\/strong>(CA) and Malte Jehmlich<\/a> <\/strong>(DE) followed with their extensions. And some three months later a movie of 45 minutes length had arisen, that tells a wonderfully multifaceted and unpredictable story in pictures and sound.<\/em>
Trailer<\/a><\/p>\n\n\n\n
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Film Still Tatsuro Arai<\/figcaption><\/figure>\n\n\n\n
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Film Still Lena Czerniawska<\/figcaption><\/figure>\n\n\n\n
\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n\n\n\n
Covid-Regulierungen im K\u00fcnstlerhaus<\/a><\/p>\n\n\n\n
Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund, Pro Jazz e.V. und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n\n\n\n
Facebook\/mexappeal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
CHRISTIAN FAUBEL 
\nMEXTENSIONS<\/p>\n","protected":false},"author":1,"featured_media":5627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[886],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5618"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5618"}],"version-history":[{"count":6,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5618\/revisions"}],"predecessor-version":[{"id":5748,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/5618\/revisions\/5748"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/5627"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5618"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}