{"id":6120,"date":"2026-04-18T21:31:34","date_gmt":"2026-04-18T19:31:34","guid":{"rendered":"http:\/\/www.mexappeal.de\/?p=6120"},"modified":"2026-04-18T21:31:34","modified_gmt":"2026-04-18T19:31:34","slug":"16-mai-2026","status":"publish","type":"post","link":"http:\/\/www.mexappeal.de\/?p=6120","title":{"rendered":"16. Mai 2026"},"content":{"rendered":"\n<p>Samstag, Einlass 20 Uhr<br \/>mex im K\u00fcnstler*innenhaus Dortmund<br \/>Sunderweg 1<\/p>\n\n\n\n<p>Eintritt 6 \u20ac<\/p>\n\n\n\n<p>nyaz 47<\/p>\n\n\n\n<p>ANOUK GENTHON &amp; LIONEL MARCHETTI<br \/>LAURE BOER &amp; SIMON CAMATTA<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"686\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-1024x686.jpg\" alt=\"\" class=\"wp-image-6121\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-1024x686.jpg 1024w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-300x201.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-768x515.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-1536x1029.jpg 1536w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/anouk-marchetti-2048x1372.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Lionel Marchetti &amp; Anouk Genthon, \u00a9Luke Fowler, Glasgow 2025<\/figcaption><\/figure>\n\n\n\n<p>Das Genthon_Marchetti Duo arbeitet an einer Komposition, die den Raum als einen der wesentlichen Vektoren begreift, insofern als eine akustische Antwort durch die Anordnung von Lautsprechern und Klanglautst\u00e4rken das eigentliche Substrat bildet, auf dem die Musik nat\u00fcrlich ruht. Sie erfinden eine Form von Duett, bei dem der K\u00f6rper der Violine selbst scheinbar in die Plastizit\u00e4t der synthetischen Kl\u00e4nge \u00fcbergeht, und bauen durch subtile Inszenierung der Lautsprecherprojektion ein musikalisches Werk, das auf r\u00e4umliche Emanation aus einem Fokuspunkt besteht \u2013 wie ein einzelnes Auge, ein Leuchtturm, ein Leuchtturm, der den Weg eines bezaubernden Mythos anzeigen w\u00fcrde, oder zumindest eine Richtung, die als Lebensader betrachtet werden kann, ein magnetischer Pol.<br \/><a rel=\"noreferrer noopener\" href=\"https:\/\/anouckgenthon.com\/w-lionel-marchetti\/\" target=\"_blank\">https:\/\/anouckgenthon.com\/w-lionel-marchetti\/<\/a><\/p>\n\n\n\n<p>The Genthon_Marchetti duo works on a composition that takes space into account as one of the essential vectors in the sense that an acoustic response, through the arrangement of loudspeakers and sound volumes, becomes the very substratum on which the music will naturally rest. Inventing a form of duet in which the body of the violin itself seems to melt into the plasticity of the synthetic sounds, the two instrumentalists build, by subtly staging the loudspeaker projection, a musical work insisting on spatial emanation from a focal point \u2013 like a single eye, a lighthouse, a beacon that would indicate the path of an enchanting myth, or at least a direction to be considered as a life line, a magnetic pole.<br \/><a href=\"https:\/\/anouckgenthon.com\/w-lionel-marchetti\/\">https:\/\/anouckgenthon.com\/w-lionel-marchetti\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-1024x683.jpg\" alt=\"\" class=\"wp-image-6122\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-1024x683.jpg 1024w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-300x200.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-768x512.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-1536x1024.jpg 1536w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/Laure-Boer-Eunice-Maurice-@hontoo9-2100-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Laure Boer \u00a9 Eunice Maurice, Berlin<\/figcaption><\/figure>\n\n\n\n<p><strong>Laure Boer<\/strong> ist Multiinstrumentalistin und S\u00e4ngerin mit Sitz in Berlin. Ihre Musik ist inspiriert von elektronischer und traditioneller Volksmusik. Ihre Darbietungen sind hypnotische Improvisationen rund um traditionelle Instrumente, seltsame Percussionen und manchmal franz\u00f6sische Texte; Ein lebendiges Universum, das sowohl verletzlich als auch brutal ist.<br \/><a href=\"https:\/\/laureboer.com\/\">https:\/\/laureboer.com\/<\/a><br \/><strong>Simon Camatta<\/strong> ist ein international bekannter Improvisations- und Jazzschlagzeuger. Er f\u00e4llt durch abendf\u00fcllende, improvisierte Schlagzeug Solokonzerte und interdisziplin\u00e4re Arbeiten an au\u00dfergew\u00f6hnlichen Off-Orten aus dem \u00fcblichen Rahmen. Auf seinem Album &#8222;This is not a Solo Record&#8220; arbeitete er mit G\u00e4sten und Field Recordings. Er studierte Jazz an der Folkwang UdK Essen, spielt Shows mit verschiedenen Gruppen, in Theater und mit freien Tanzkompanien. Ausserdem arbeitet er mit bildenden K\u00fcnstlerinnen im Rahmen seines Projektes &#8222;Schlagzeug trifft Leinwand&#8220;, Er kuratiert zwei Festivals und lebt in Essen.<br \/><a href=\"https:\/\/simoncamatta.yolasite.com\/\">https:\/\/simoncamatta.yolasite.com\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"694\" src=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta-1024x694.jpg\" alt=\"\" class=\"wp-image-6124\" srcset=\"http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta-1024x694.jpg 1024w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta-300x203.jpg 300w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta-768x521.jpg 768w, http:\/\/www.mexappeal.de\/wp-content\/uploads\/2026\/04\/SimonCamattacSCamatta.jpg 1093w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Simon Camatta<\/figcaption><\/figure>\n\n\n\n<p><strong>Laure Boer<\/strong> is a multi-instrumentalist and singer based in Berlin. Her music is inspired by electronic and traditional folk music. Her performances are hypnotic improvisations around traditional instruments, odd percussions and sometimes French texts; a vibrant universe that is both vulnerable and brutal.<br \/><a href=\"https:\/\/laureboer.com\/\">https:\/\/laureboer.com\/<\/a><br \/><strong>Simon Camatta<\/strong> is an internationally renowned improvisational and jazz drummer. He breaks the mold with evening-long, improvised drum solo concerts and interdisciplinary works in unusual, off-site venues. On his album &#8222;This is not a Solo Record,&#8220; he collaborated with guests and field recordings. He studied jazz at the Folkwang University of the Arts in Essen and plays shows with various groups, in theaters, and with independent dance companies. He also works with visual artists as part of his project &#8222;Drums Meets Canvas.&#8220; He curates two festivals and lives in Essen\/Germany<br \/><a href=\"https:\/\/simoncamatta.yolasite.com\/\">https:\/\/simoncamatta.yolasite.com\/<\/a><\/p>\n\n\n\n<p>Veranstaltet von mex \u2013 intermediale und experimentelle Musikprojekte e.V. Mit freundlicher Unterst\u00fctzung durch das K\u00fcnstlerhaus Dortmund und das Kulturb\u00fcro der Stadt Dortmund. mex wird kuratiert von Achim Zepezauer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANOUK GENTHON &#038; LIONEL MARCHETTI<br \/>\nLAURE BOER &#038; SIMON CAMATTA<\/p>\n","protected":false},"author":1,"featured_media":6123,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":[],"categories":[886],"tags":[],"_links":{"self":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/6120"}],"collection":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6120"}],"version-history":[{"count":2,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/6120\/revisions"}],"predecessor-version":[{"id":6126,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/posts\/6120\/revisions\/6126"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=\/wp\/v2\/media\/6123"}],"wp:attachment":[{"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6120"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.mexappeal.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}